Introducing the

Black Mountain Expression

Small But Mighty!

✔ Small and portable– half the size of a regular expression pedal

✔ The wheel enables swift movement with superb precision

Transform your existing setup with the added power of an expression pedal!

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Tour Ready

Overbuilt and designed for performance

Stomp down and rock and roll– the Black Mountain expression is designed to withstand hundreds of pounds of pressure!

1 Million Cycle Life Potentiometers

B U Y   N O W  

Take your creativity to the next level with a Black Mountain Expression!

Frequently Asked Questions

The Black Mountain Expression is compatible with almost every pedal, multi-effect unit, and processor that has an expression input. It supports both 25K and 10K expression inputs with TRS or TS wiring, so it plays nicely with a wide range of brands, including Strymon, Eventide, TC Electronic, Boss, Line 6, Electro‑Harmonix, Kemper, Moog, Digitech, Zoom, Fractal Audio, Headrush, Source Audio, Walrus Audio, MXR, Dunlop, ISP Technologies, Neural DSP, ISP, Pigtronix, Meris, Chase Bliss, EarthQuaker Devices, Keeley, JHS Pedals, Wampler, Fulltone, Suhr, Friedman, Seymour Duncan, Hotone, NUX, Vox, Fender, Orange, Blackstar, Mesa/Boogie, Vox Amps, Bugera, Rocktron, Tech 21, Hughes & Kettner, Laney, ENGL, Diezel, Revv, Victory, and many others that follow these common expression pedal specs.

It features two 1 million-cycle potentiometers, ensuring long-lasting performance. The enclosure is built to endure hundreds of pounds of pressure, allowing players to confidently put their full body weight on the wheel without any issues.

The pedal has two independent 1/4" expression outputs, so you can control two devices at the same time. Side A is a fixed 25K TRS output, and Side B is a 10K output with a TRS/TS toggle to match different devices.

50mm Wide, 100mm Long, and 70mm Height.

Absolutely! The Freewheel design is built to be gig‑worthy and to feel stable under your foot while standing or sitting. Professional musicians routinely use the wheel standing on stage to do swells, tremolo‑style chops, and parameter sweeps in real time without any problems.